TIDAL Splits from MQA
TIDAL announces that it will bin MQA and 360 Reality streams from the hi-res streaming service.
TIDAL has officially stated that, as of July, it will have replaced all its MQA streams with FLAC versions. This announcement follows TIDAL's introduction of FLAC files, which it said would complement the existing MQA catalogue.
Whilst the hi-res audio subscriber service is having a clearout, it also says that 360 Reality Audio tracks are heading for the SSD in the sky, opting instead to focus on Dolby Atmos as its immersive audio format of choice.
We expected a change, especially as Lenbrook (owner of PSB, NAD, Bluesound, and now MQA) announced it was joining forces with HDtracks to launch a new MQA-powered high-res service. The service's obvious plans are to compete with TIDAL, Qobuz, Apple Music, and Amazon Music.
TIDAL reassures its subscribers that it currently has at least 16-bit/44.1kbps FLAC versions for nearly all MQA tracks today. While it may not have a replacement for every single song when MQA disappears, TIDAL says that it is "working hard to ensure all existing MQA tracks will be replaced with a FLAC version in a timely manner".
Furthermore, those who have downloaded MQA tracks, playlists, or albums for offline access will need to update their TIDAL app to the latest version on July 24th and redownload the tracks in FLAC.
As for Sony's 360 Reality Audio format, TIDAL explains that the changes are "due to the number of compatible devices, catalogue availability, and artist adoption of the format". When the changes occur in July, you will see the track or album greyed out and unavailable for streaming. If you prefer Sony's 360 Reality Audio, you can still find it on Amazon Music and Deezer.
Thankfully, this will be the status quo for the time being. As TIDAL says, "We have no further plans to change our audio format offerings going forward, and we remain committed to providing our subscribers with exceptional audio quality."
Is this the best move for the service?
Let us know in the Forum

Jay Garrett
StereoNET’s resident rock star, bass player, and gadget junkie. Jay heads up StereoNET as Editor for the United Kingdom and Europe regions. His passion for gadgets and Hi-Fi is second only to being a touring musician.
Posted in: Hi-Fi | Technology | Music | Industry
JOIN IN THE DISCUSSION
Want to share your opinion or get advice from other enthusiasts? Then head into the Message
Forums where thousands of other enthusiasts are communicating on a daily basis.
CLICK HERE FOR FREE MEMBERSHIP
Trending
applause awards
Each time StereoNET reviews a product, it is considered for an Applause Award. Winning one marks it out as a design of great quality and distinction – a special product in its class, on the grounds of either performance, value for money, or usually both.
Applause Awards are personally issued by StereoNET’s global Editor-in-Chief, David Price – who has over three decades of experience reviewing hi-fi products at the highest level – after consulting with our senior editorial team. They are not automatically given with all reviews, nor can manufacturers purchase them.
The StereoNET editorial team includes some of the world’s most experienced and respected hi-fi journalists with a vast wealth of knowledge. Some have edited popular English language hi-fi magazines, and others have been senior contributors to famous audio journals stretching back to the late 1970s. And we also employ professional IT and home theatre specialists who work at the cutting edge of today’s technology.
We believe that no other online hi-fi and home cinema resource offers such expert knowledge, so when StereoNET gives an Applause Award, it is a trustworthy hallmark of quality. Receiving such an award is the prerequisite to becoming eligible for our annual Product of the Year awards, awarded only to the finest designs in their respective categories. Buyers of hi-fi, home cinema, and headphones can be sure that a StereoNET Applause Award winner is worthy of your most serious attention.